Nana Patekar is a name synonymous with intensity, authenticity, and an unrelenting passion for storytelling. With a career spanning decades, he has portrayed a range of characters that resonate deeply with audiences. From the fiery and fearless Ravi in ‘Krantiveer’ to the restrained yet magnetic Shyamrao in ‘Prahaar,’ Nana’s performances have always been a mirror to society and human emotion. Whether it’s the heart-wrenching portrayal in ‘Parinda,’ the layered villainy in ‘Apaharan,’ or the satirical brilliance in ‘Welcome,’ each role underscores his versatility and dedication to his craft.
In this candid and revealing interview, Nana opens up about his latest Anil Sharma‘s directorial, ‘Vanvaas,’ his unique approach to acting, his reflections on his illustrious career, and the philosophies that shape his life. He shares anecdotes from the sets, insights into the bond he forms with his co-stars, and his undying love for simple joys like cooking for his crew. Nana also touches upon his grounding in theater, his thoughts on the digital age, and his admiration for cinematic legends like Dilip Kumar and Satyajit Ray. This interview not only gives us a glimpse of Nana Patekar’s artistry but also reveals the man behind the legend—grounded, introspective, and ever-evolving.
EXCLUSIVE: Nana Patekar Makes A Comeback With ‘Vanvaas’: Behind The Scenes of Emotional Family Drama
You mentioned the character in ‘Vanvaas’ has no expectations from life and fears nothing, much like the protagonist of ‘Anand.’ Could you delve deeper into how this philosophy aligns with your personal experiences?
We tell stories about characters in different ways, and for this particular film, the way the character has been portrayed is very appealing. There are characters who like to narrate their stories in a sorrowful manner, but this particular guy tells his story in a unique way—much like how the story in ‘Anand’ was conveyed. The character has no expectations from life or anyone and does not fear death. These qualities resonate with my personal life as well. Additionally, the character has a special bond with his parents, which allowed me to relive similar moments from my own life.
You spoke about not liking overly emotional performances and preferring restrained emotions. How did you channel this subtlety into the character in ‘Vanvaas’?
As actors, we have limitations and can only express emotions based on our life experiences. For this character, I drew from everything I’ve carried within me for so many years. I don’t like crying; we are humans, and tears are natural. But I believe the most impactful emotions are those that stop at the edge of your eyes and retreat. That is the kind of subtle expression I wanted to bring to this role.
‘Vanvaas’ reflects on the erosion of familial bonds due to modern-day pressures. What was it about this theme that compelled you to take up the project?
This film holds a mirror to society, showing how families, in their pursuit of daily necessities, often forget the true meaning of bonds. That’s what drew me to ‘Vanvaas.’ We had a wonderful cast and an amazing experience, and although we were paid well, what stays with me are the memories. If I ever pen down my experiences, this film will certainly feature in them.
You shared the heartwarming story of cooking for 200 crew members on set. How do such acts of bonding contribute to the overall camaraderie during a shoot?
I think I’m a better cook than an actor. I used to cook for the entire unit of 200 crew members and serve them. “Haathon se khana banake khilane ka maza hi kuch aur hai.” Our mother used to cook for us and feed us, and we never thanked her, thinking it was her duty. Through this act, I formed an instant bond with the crew. If I ever scolded someone the next day, they didn’t take it personally because of the connection we shared.
The climax scene of ‘Vanvaas’ sounds grueling yet magical. How did you and the team overcome the physical and environmental challenges to deliver such a compelling performance?
For the climax, we didn’t have enough space for the camera, and it was snowing heavily. But thanks to the bond we had developed as a team, everyone knew exactly what was required. We shot in the snow for seven hours without specific instructions—everything just fell into place naturally.
I vividly remember how terrible the weather was. By the time we finished, I didn’t even realize how injured I was. We shot the scene without food or water, driven purely by our emotions and determination to make the climax unforgettable. Nature seemed to be on our side, and the entire film came together organically. Even Anil Sharma, our director, couldn’t have planned it better. “Maarna tha idhar, par waha gaya, phir chakka mil gaya.”
How does it feel to receive appreciation for your iconic characters even today?
The appreciation I receive isn’t because of the characters I played but because of the powerful stories those films had. The credit belongs to the directors and writers who created those roles. People see my face, but it’s through me that the directors told their stories. My contribution is just 25%; the rest belongs to the director, writer, cinematographer, music director, and producer.
While it feels good to be appreciated, I don’t like to dwell on nostalgia when it comes to my work. I prefer to forget my characters once a project is over, or else I won’t be able to embrace my next role. What’s gone is gone. I focus on living in the moment and finding joy in what I do today.
Your perspective on social media.
I’m not a social media person. I live in a village, away from all the hustle and bustle. This is the first time I’m promoting a film, as I don’t usually give interviews. I don’t believe in forcing anyone to watch a movie. If a film is good, the actor has already given their 100%. As for social media, I’d urge everyone to stay away from their phones for a day and realize how much they’re missing in the real world.
Please share your memories of the rap song in ‘Krantiveer’ with Bindu.
(Laughs) I met Badshah recently, and he said I started the rap trend with that song from ‘Krantiveer.’ It was a lovely song, “Love Rap,” featuring Bindu ji. We had so much fun shooting it. The choreographer eventually surrendered, saying, “I can’t teach Nana Patekar anything.” (Laughs) He told me, “Jo karna hai karo; this is the frame.” My steps were entirely improvised. Even Bindu ji was instructed to manage whatever I did, and she did it brilliantly.
What is nostalgia for you?
For me, nostalgia is Motilal ji, Balraj Sahni, and Yusuf Khan—Dilip Kumar. My favorite film is ‘Ganga Jamuna,’ and the character played by Dilip Kumar is extraordinary. I’ve been fortunate to meet such legends. I’ve received awards from them, and these moments are my greatest treasures.
I still remember when Dilip Kumar invited me for lunch after I won a national award. It was raining, and I was drenched. He dried my hair with a towel and gave me one of his shirts to wear. What more could one ask for? Even Satyajit Ray mentioned in his book that he wanted to work with me. When I read that after his demise, it brought tears to my eyes. These are real awards.
Your mantra for staying happy.
There’s so much to learn from the younger generation. They bring a fresh perspective, and I love learning from them. As someone from a theater background, I find it easier to communicate across generations. And if you really want to see me happy on set, just bring along 1.5- to 2-year-old kids—I’ll be the happiest person there!
